Nr.
|
Titel
|
Mitwirkende
|
Jahr
|
Beschreibung
|
A-1 |
Departure |
George Broderick |
1900 |
Rezitation des Gedichtes Departure von Eugene Field.
|
A-2 |
The colored preacher |
George Graham |
1900 |
Monolog des Stückes The colored preacher verfasst von dem Vortragenden selbst.
|
A-3 |
The birth of Saint Patrick |
George Broderick |
1900 |
Rezitation
|
A-4 |
Fuzzy-Wuzzy |
George Broderick |
1900 |
Rezitation des Gedichtes Fuzzy-Wuzzy von Rudyard Kipling.
|
A-5 |
On the road to Mandalay |
George Broderick |
1900 |
Rezitation des Gedichtes On the road to Mandalay von Rudyard Kipling.
|
A-6 |
Danny Deever |
George Broderick |
1900 |
Rezitation des Gedichtes Danny Deever von Rudyard Kipling.
|
A-7 |
Limburger Cheese |
George Broderick |
1900 |
Rezitation
|
A-9 |
Strike Up the Band, Here Comes a Sailor |
Dan W. Quinn |
1900 |
Sologesang des Liedes Strike Up the Band, Here Comes a Sailor nach einem Text von Andrew B. Sterling und einer Komposition von Charles B. Ward
|
A-10 |
King Gilhooley |
Dan W. Quinn |
1900 |
Sologesang
|
A-11 |
San Francisco Sadie |
Dan W. Quinn |
1900 |
Sologesang
|
A-12 |
I want to go to Morrow |
Dan W. Quinn |
1900 |
Sologesang
|
A-13 |
An innocent young maid |
Dan W. Quinn |
1900 |
Sologesang
|
A-14 |
My money never gives out |
Dan W. Quinn |
1900 |
Sologesang
|
A-15 |
She knew a lobster when she saw one |
Dan W. Quinn |
1900 |
Sologesang
|
A-16 |
No show tonight |
Dan W. Quinn |
1900 |
Sologesang
|
A-17 |
The mick who threw the brick |
Dan W. Quinn |
1900 |
Sologesang
|
A-18 |
Nancy |
S. H. Dudley |
1900 |
Sologesang mit Piano
|
A-19 |
Pumping the pump-pump-pump |
Dan W. Quinn |
1900 |
Sologesang
|
A-20 |
More work for the undertaker |
Dan W. Quinn |
1900 |
Sologesang
|
A-21 |
A hot time in the old town tonight |
Dan W. Quinn |
1900 |
Sologesang
|
A-22 |
Doan ye cry, ma honey |
S. H. Dudley |
1900 |
Sologesang
|
A-23 |
I’d like it |
S. H. Dudley |
1900 |
Sologesang mit Piano
|
A-24 |
Louisiana Lou |
Marie Romaine |
1900 |
Sologesang
|
A-25 |
A large front room on Broadway |
S. H. Dudley |
1900 |
Sologesang
|
A-26 |
Solders in the Park |
S. H. Dudley |
1900 |
Sologesang
|
A-27 |
My Sunday Girl |
S. H. Dudley |
1900 |
Sologesang
|
A-28 |
In the shadow of the pines |
Marie Romaine |
1900 |
Sologesang
|
A-29 |
Continuous performances |
S. H. Dudley |
1900 |
Sologesang mit Piano
|
A-30 |
The new-born king |
Marie Romaine |
1900 |
Sologesang
|
A-31 |
Miss Helen Hunt |
S. H. Dudley |
1900 |
Sologesang
|
A-32 |
Kiss me, Honey do |
S. H. Dudley |
1900 |
Sologesang
|
A-33 |
When love is kind |
Marie Romaine |
1900 |
Sologesang
|
A-34 |
Ben Bolt |
Marie Romaine |
1900 |
Sologesang
|
A-35 |
Parody on "The blow almost killed Father" |
S. H. Dudley |
1900 |
Sologesang
|
A-36 |
Yuba Dam |
S. H. Dudley |
1900 |
Sologesang
|
A-37 |
Parody on "I’d leave my happy home for you" |
S. H. Dudley |
1900 |
Sologesang
|
A-38 |
Then you’ll remember me |
Marie Romaine |
1900 |
Sologesang
|
A-39 |
Marching through Georgia |
John Yorke AtLee |
1900 |
Pfeifdarbietung
|
A-40 |
Laughing Song |
John Yorke AtLee |
1900 |
Pfeifdarbietung
|
A-41 |
Last night |
Marie Romaine |
1900 |
Sologesang
|
A-42/a |
A Negro wedding in southern Georgia |
American Quartet |
1900 |
Gesangsquartett
|
A-43 |
Gipsy song |
Marie Romaine |
1900 |
Sologesang
|
A-43/a |
Night trip to Buffalo |
American Quartet |
1900 |
Gesangsquartett
|
A-44 |
The touch of a woman’s hand |
S. H. Dudley |
1900 |
Sologesang
|
A-45 |
The village choir |
S. H. Dudley |
1900 |
Sologesang[1]
|
A-46 |
Mr. Captain, stop the ship! |
S. H. Dudley |
1900 |
Sologesang
|
A-49 |
Parody on "The moth and the flame" |
S. H. Dudley |
1900 |
Sologesang mit Piano
|
A-50 |
And the parrot said |
S. H. Dudley |
1900 |
Sologesang
|
A-51 |
She never did the same thing twice |
S. H. Dudley |
1900 |
Sologesang
|
A-52 |
She never did the same thing twice |
S. H. Dudley |
1900 |
Sologesang
|
A-53 |
The story of the rose |
Harry Macdonough |
1900 |
Sologesang mit Piano
|
A-54 |
Blue bells of Scotland |
Haydn Quartet |
1900 |
Gesangsquartett mit Piano
|
A-56 |
Licoln’s speech at Gettysburg |
William F. Hooley |
1900 |
Rezitation
|
A-57 |
Gladstone’s speech on self-help |
William F. Hooley |
1900 |
Rezitation
|
A-58 |
Twenty-Third Psalm and the Lords Prayer |
William F. Hooley |
1900 |
Rezitation
|
A-59 |
The Sermon on the Mount |
William F. Hooley |
1900 |
Rezitation
|
A-60 |
Mother Goose rhymes |
William F. Hooley |
1900 |
Rezitation
|
A-61 |
Death and burial of Cock Robin |
William F. Hooley |
1900 |
Rezitation
|
A-62 |
Raving of a maniac |
William F. Hooley |
1900 |
Rezitation
|
A-63 |
Ingersoll at the tomb of Napoleon |
William F. Hooley |
1900 |
Rezitation
|
A-64 |
The tale of kangaroo |
S. H. Dudley |
1900 |
Sologesang
|
A-66 |
Father O’flynn |
George Broderick |
1900 |
Sologesang
|
A-67 |
King Sol |
George Broderick |
1900 |
Sologesang
|
A-68 |
Bye, bye ma honey |
Billy Golden |
1900 |
Sologesang mit Piano
|
A-69 |
Mephisto’s serenade |
George Broderick |
1900 |
Sologesang
|
A-70 |
Simon the cellarer |
George Broderick |
1900 |
Sologesang
|
A-71 |
Viceroy’s march |
Metropolitan Orchestra |
1900 |
Orchester
|
A-72 |
A watermelon folic |
Metropolitan Orchestra |
1900 |
Orchester
|
A-73 |
He who treads the path of duty |
George Broderick |
1900 |
Sologesang
|
A-74 |
Gipsy love |
Metropolitan Orchestra |
1900 |
Orchestra
|
A-75 |
Rocked in the cradle of the deep |
George Broderick |
1900 |
Sologesang
|
A-76 |
The tunkey’s song |
George Broderick |
1900 |
Sologesang
|
A-77 |
The yarn of the dates |
George Broderick |
1900 |
Sologesang
|
A-78 |
Plantation pastimes |
Metropolitan Orchestra |
1900 |
Orchester
|
A-79 |
Deep, down deep |
George Broderick |
1900 |
Sologesang
|
A-80 |
Thy sentinel am I |
George Broderick |
1900 |
Sologesang
|
A-81 |
The absent-minded baggar |
George Broderick |
1900 |
Sologesang
|
A-82 |
Songs from The ameer |
Metropolitan Orchestra |
1900 |
Orchester
|
A-83 |
The blue and the gray |
Harry Macdonough |
1900 |
Sologesang
|
A-84 |
Maggie O’Connor |
Harry Macdonough |
1900 |
Sologesang
|
A-85 |
Since that day |
Harry Macdonough |
1900 |
Sologesang
|
A-86 |
The man behind the gun |
Metropolitan Orchestra |
1900 |
Orchester mit Piano
|
A-87 |
The owl and the pussy cat |
Haydn Quartet |
1900 |
Gesangsquartett mit Piano
|
A-88 |
Lovelorn Lily |
Harry Macdonough |
1900 |
Sologesang
|
A-89 |
The vacant chair |
Haydn Quartet |
1900 |
Gesangsquartett mit Piano
|
A-90 |
The girl I loved in sunny Tennessee |
S. H. Dudley, Harry Macdonough |
1900 |
Gesangsduo
|
A-91 |
Just as the sun went down |
S. H. Dudley, Harry Macdonough |
1900 |
Gesangsduo
|
A-92 |
Mid the green fields of Virginia |
S. H. Dudley, Harry Macdonough |
1900 |
Gesangsduo
|
A-93 |
A soldier’s farewell |
Haydn Quartet |
1900 |
Gesangsquartett mit Piano
|
A-94 |
The Holy City |
Harry Macdonough |
1900 |
Sologesang mit Piano
|
A-95 |
Killarney |
Harry Macdonough |
1900 |
Sologesang
|
A-96 |
Sing again that sweet refrain |
Harry Macdonough |
1900 |
Sologesang
|
A-97[2] |
Lead, kindly light |
Haydn Quartet |
1900 |
Gesangsquartett mit Piano
|
A-98 |
Sing me a song of the sunny South |
Harry Macdonough |
1900 |
Sologesang
|
A-99 |
My wild Irish rosew |
Harry Macdonough |
1900 |
Sologesang
|
A-100 |
Verdi’s Attila |
Lyric Trio |
1900 |
Gesangstrio
|