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Mónica Mayer (* 16. März 1954) ist eine mexikanische feministische Künstlerin, Aktivistin und Kunstkritikerin. Mayer arbeitet in den Bereichen der Performance Kunst, digitaler Graphik, Zeichung, Fotografie und Kunsttheorie. Als Aktivistin war sie Teil verschiedener Zusammenschlüsse und Gruppen. Außerdem ist sie Autorin zahlreicher Bücher und schrieb zwischen 1988 und 2008 für die mexikanische Zeitung El Universal.[1]

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Mayer wurde im Jahre 1954 in Mexiko-Stadt geboren und studierte dort Bildende Kunst an der Escuela Nacional de Artes Plásticas (UNAM). Während ihres Studiums begann sie sich für Feminismus zu interessieren und war teil der Gruppen Movimiento Feminista und Colectivo de Cine Feminista der mexikanischen Frauenbewegung.


was born in Mexico City in 1954, and trained there as a visual artist at the Her interest in feminism was sparked while studying at art school. She participated in the feminist movement in Mexico with the groups Movimiento Feminista and Colectivo de Cine Feminista.[2] She went on to earn a master's degree in the Sociology of Art at Goddard College, United States, with a thesis entitled Feminist Art: An Effective Political Tool.[3] From 1978 to 1980, Mayer participated in the Feminist Studio Workshop at the Woman's Building in Los Angeles, California.

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In 1983, with Maris Bustamante, she founded the first feminist art collective in Mexico, Polvo de Gallina Negra (Black Hen Powder).[4] Mayer and Bustamante's work combined radical social criticism and humour, exemplified by the group's name: “Black Hen Powder – to protect us from the patriarchal magic which makes women disappear.”[5] The group put on performances in the media and other various social interventions. That same year, she taught a workshop about "Women and Art" at the Escuela Nacional de Artes Plásticas, which later lead to the creation of another feminist art collective, Tlacuilas y Retrateras.

She has performed both on her own and with Victor Lerma in Mexico and Japan, and has presented her work in various museums. The majority of her performances consist of social interventions designed for specific settings. In 1989, with Víctor Lerma, Mayer created the ongoing conceptual project, Pinto mi Raya, whose main function is a newspaper archive that specializes in contemporary art in Mexico. The project's objective is to stimulate the art system in Mexico by conducting various activities, workshops and performance interventions involving other practitioners such as El Balcón del CENIDIAP, De Crítico, artista y loco..., and El Mejor Amigo de los Museos. Pinto mi Raya has also hosted radio programmes such as "Pinto mi Raya: Donde las Artes Visuales Suenan” (ABCradio, 1999–2000) and has actively participated in various activist actions as part of the artistic community.[6]

In the 1998 publication 'Pinto mi Raya—A Brief Story of Almost 10 Years of Applied Conceptual Art Projects', Lerma and Mayer wrote: "This experience allowed us to detect some of the most serious problems in our art system, and little by little we started turning into a platform from which we could launch applied conceptual art projects in order to try to find solutions for them. In other words, we seek to lubricate the art system so it runs more smoothly. We also decided to become nomads."[7]

She participated in the creation of the Sistema Nacional de Creadores de Arte del Fondo Nacional para la Cultura y las Artes de Mexico (National System of Artists for the National Funding for Mexican Culture and Arts) with the project De Archivos y Redes (From Archives and Networks) from 2012 to 2014, which was renewed for the period of 2015 to 2018.

An exhibition of her work "Si tiene dudas... pregunte: una exposición retrocolectiva de Mónica Mayer" (When in Doubt... Ask: Mónica Mayer's Artistic Project) was inaugurated at the Museo Universitario de Arte Contemporáneo de la Universidad Nacional Autónoma de México (UNAM) on February 6, 2016.

In October 2016, the Instituto de las Mujeres de la Ciudad de México (Women's Institute of Mexico City) awarded her the Omecíhuatl Medal for her "outstanding participation in education, arts, culture, and sports, which have inspired and impacted the development and empowerment of women".

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  • WACK! Art and the Feminist Revolution. Museum of Contemporary Art (Los Angeles, USA)
  • La batalla de los géneros . Centro Gallego de Arte Contemporáneo (Santiago de Compostela, Spain). September to December 2007.[8]
  • Novela rosa o me agarró el arquetipo" Museo Carrillo Gil . Plantilla:México DF, 1987.
  • National Gallery in Kingston (Jamaica)
  • Candido Mendes Cultural Center in Rio de Janeiro (Brazil)
  • Final&Sigue. Juarez University of Villahermosa (Tabasco, Mexico). June 2009
  • Video a la mexicana. De sexo-s, amor y humor. Montehermoso Palace (Vitoria, Spain). May to September 2010
  • "El Tendedero/The Clothesline Project." National Museum of Women in the Arts (Washington, DC). 2017[9]

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Items of art criticism:

  • Reviews by the conceptual space Pinto mi Raya.
  • Columns in the newspaper El Universal (Mexico)
  • Various items in Performance Research (UK)

Books:

  • Mayer, Mónica. Rosa chillante: mujeres y performance en México. México: Conaculta/Fonca, 2004.
  • Mayer, Mónica. Una Década Y Pico: Textos De Performance. [México, D.F.]: Ediciones al vapor, 2001.
  • Mayer, Mónica. Translations: An International Dialogue of Women Artists. [Place of publication not identified]: [publisher not identified], 1980.
  • Mayer, Mónica. Mónica Mayer: novela rosa o me agarró el arquetipo. México, D.F.: Museo de Arte Carrillo Gil, 1987.
  • Mayer, Mónica. Una Década Y Pico: Textos De Performance. [México, D.F.]: Ediciones al vapor, 2001.
  • Mayer, Mónica, Víctor Lerma, and Alfredo Ramírez. Arte público en el archivo de Pinto Mi Raya. México: Pinto Mi Raya, 2002.
  • Mayer, Mónica, Víctor Lerma, Alethia Edurné González Cañetas, and Alejandra Sánchez Avilés. Mujeres artistas en el Archivo de Pinto Mi Raya, colectivas y textos varios. México: Pinto Mi Raya, 2003.
  • Mayer, Mónica, Víctor Lerma, Alethia Edurné González Cañetas, and Alejandra Sánchez Avilés. Ojos y vidrio: las fotógrafas en el archivo de Pinto Mi Raya. México: Pinto Mi Raya, 2003.
  • Mayer, Mónica, Víctor Lerma, and Miriam Urbano Alonso. Performance en el archivo de Pinto Mi Raya: versión actualizada de Mayo de 1991 a Mayo de 2005). [México]: Pinto Mi Raya, 2005.
  • Mayer, Mónica. Escandalario: los artistas y la distribución del arte. [Mexico]: AVJ Ediciones, 2006.

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'Mujeres en Acciòn, serie documental de performance', DVD by Josefina Alcazar featuring: Andrea Ferreyra, Edith Medina, Lorena Méndez, Lorena Orozco, Lorena Wolffer, Katnira Bello, Maris Bustamante, Thereza Lopez, Monica Mayer, Elizabeth Romero, Elvira Santamaria, Ma. Eugenia Chellet, La Congelada De Uva, Diana, Olalde, Gabriela Olivo, Katia Tirado, Nina Yhared. More info: http://www.thisisliveart.co.uk/resources/study-room

Einzelnachweise Bearbeiten

  1. Mónica Mayer | Hammer Museum. Abgerufen am 16. Juli 2021 (englisch).
  2. Brooklyn Museum: Monica P. Mayer. In: brooklynmuseum.org. Abgerufen am 10. März 2018.
  3. Re.Act.Feminism. Live Art Development Agency – Verlag fur Moderne Kunst, ISBN 978-3-86984-460-2, S. 282 (thisisliveart.co.uk).
  4. Polvo de Gallina Negra on pintomiraya.com.
  5. Re.Act.Feminism. Live Art Development Agency – Verlag fur Modern Kunst, ISBN 978-3-86984-460-2, S. 290 (thisisliveart.co.uk).
  6. Taller de Autobiografía y Performance – Mónica Mayer y Víctor Lerma. Archiviert vom Original am 26. April 2014;.
  7. Victor Lima and Monica Mayer: Pinto my Raya. S. 2 (thisisliveart.co.uk).
  8. La batalla de los géneros.
  9. Greta Jochem: Rows Of Hot Pink Paper, All Saying #MeToo, NPR, December 10, 2017. Abgerufen im December 12, 2017 

{{authority control}} {{DEFAULTSORT:Mayer, Monica}} [[Category:Feminist artists]] [[Category:Mexican women artists]] [[Category:Mexican performance artists]] [[Category:Living people]] [[Category:Mexican feminists]] [[Category:1954 births]] [[Category:Artists from Mexico City]] [[Category:Goddard College alumni]] [[Category:People educated at Atlantic College]]