Heilig-Geist-Orgel
Positiv (I)
|
| Copel |
8'
|
| Flauta |
8'
|
| Prestant |
4'
|
| Flet |
4'
|
| Quint |
3'
|
| Doublet |
2'
|
| Cornet III |
ab g°
|
| Mixtur IV |
|
| Schalmey |
8'
|
|
Hauptwerk (II)
|
| Copel |
16'
|
| Principal |
8'
|
| Copel |
8'
|
| Flauta |
8'
|
| Gamba |
8'
|
| Salicet |
8'
|
| Octav |
4'
|
| Flet |
4'
|
| Doublet |
2'
|
| Mixtur IV
|
| Cimbal III |
|
| Cromorne |
8'
|
|
Pedal
|
| Principal |
16'
|
| Copel |
16'
|
| Flauta |
8'
|
| Flet |
4'
|
| Quint |
3'
|
| Fagot |
8'
|
|
Dreifaltigkeits-Orgel
Positiv (I)
|
| Principal |
16' (D)
|
| Flauta |
8' (B/D)
|
| Copel |
8' (B/D)
|
| Octav |
4' (B/D)
|
| Flet |
4'
|
| Gamba |
4' (B/D)
|
| Nazard |
3' (B/D)
|
| Quart |
2' (B/D)
|
| Tertz |
1 1/2' (B/D)
|
| Quint |
1 1/2' (B/D)
|
| Forniture V-VI |
1' (B/D)
|
| Trompet |
8' (B/D)
|
| Cromorne |
8' (B/D)
|
| Vox humaine |
8' (B/D)
|
| Clairon |
4' (B/D)
|
|
Hauptwerk (II)
|
| Copel |
16'
|
| Prinzipal |
8'
|
| Copel |
8'
|
| Flauta |
8'
|
| Gamba |
8'
|
| Salicet |
8'
|
| Prestant |
4'
|
| Flet |
4'
|
| Tertz |
ex 3'
|
| Quint |
3'
|
| Waldflet |
2'
|
| Tertz |
1 1/2'
|
| Cornet V |
ab c°
|
| Mixtur IV |
3'
|
| Cimbal IV-VI |
1'
|
| Trompet |
8'
|
| Clairon |
4'
|
|
Recit (III)
|
| Cornet Resi V |
8' ab g°
|
|
Echo (IV)
|
| Copel |
8' (B/D)
|
| Flet |
4' (B/D)
|
| Larigot II |
3'+2' (D)
|
| Quint |
3' (B)
|
| Quart |
2' (B)
|
| Tertz II |
1 1/2'+1' (D)
|
| Tertz |
1 1/2' (B)
|
| Hoboi |
8' (B/D)
|
|
Pedal
|
| Prinzipal |
16'
|
| Copel |
16'
|
| Octav |
8'
|
| Gamb |
8'
|
| Quint |
6'
|
| Flet |
4'
|
| Mixtur III |
3'
|
| Bombarde |
16'
|
| Trompet |
8'
|
| Trompet |
4'
|
|
Marien-Orgel
Positiv (I)
|
| Bordun |
16'
|
| Prinzipal |
8'
|
| Rohrflöte |
8'
|
| Gamba |
8'
|
| Oktave |
4'
|
| Koppelflöte |
4'
|
| Quinte |
2 2/3'
|
| Oktave |
2'
|
| Terz |
1 3/5'
|
| MixturV |
1 1/3'
|
| Trompete |
8'
|
| Cromorne |
8'
|
|
Hauptwerk (II)
|
| Prinzipal |
16'
|
| Prinzipal |
8'
|
| Doppelflöte |
8'
|
| Gedackt |
8'
|
| Gemshorn |
8'
|
| Oktave |
4'
|
| Hohlflöte |
4'
|
| Quinte |
2 2/3'
|
| Oktave |
2'
|
| Großmixtur III-IV |
2'
|
| Mixtur IV-V |
1 1/3'
|
| Bombarde |
16'
|
| Trompette |
8'
|
| Clairon |
4'
|
|
Brustwerk (III)
|
| Koppelgedackt |
8'
|
| Salicet |
8'
|
| Praestant |
4'
|
| Blockflöte |
4'
|
| Nazard |
2 2/3'
|
| Waldflöte |
2'
|
| Terz |
1 3/5'
|
| Larigo |
1 1/3'
|
| Flageolett |
2'
|
| Scharfcymbel IV |
1'
|
| Musette |
16'
|
| Vox humana |
8'
|
|
Balkonorgel links - Récit (IV)
|
| Bourdon |
16'
|
| Montre |
8'
|
| Flûte harmonique |
4'
|
| Quintade |
8'
|
| Salicional |
8'
|
| Unda maris |
8'
|
| Prestant |
4'
|
| Flûte octaviante |
4'
|
| Octavin |
2'
|
| Septimenkornett III-V |
2 2/3'
|
| Plein jeu V |
2'
|
| Basson |
16'
|
| Trompette harmonique |
8'
|
| Clairon harmonique |
4'
|
|
|
| Récit-Pedal |
|
| Subbaß |
16'
|
| Flûte |
8'
|
| Fagott |
16'
|
|
Balkonorgel rects - Echo (V)
|
| Prinzipal |
8'
|
| Bourdon doux |
8'
|
| Viola da Gamba |
8'
|
| Vox angelica |
8'
|
| Venezianerflöte |
4'
|
| Viola d'amore |
4'
|
| Nachthorn |
2'
|
| Viola piccola |
2'
|
| Harmonia aetheria IV |
2 2/3'
|
| Cymbel III |
1'
|
| Dulcian |
16'
|
| Hautbois |
8'
|
| Regal |
8'
|
|
|
| Echo-Pedal |
|
| Salicet-Bass |
16'
|
| Violoncello |
8'
|
| Flûte |
4'
|
|
Auxiliaire
|
| Cornet V |
8'
|
| Tuba magna |
16'
|
| Tuba mirabilis |
8'
|
| Fanfare |
4'
|
| Clairon fanfare |
4'
|
|
Pedal
|
| Prinzipal |
32'
|
| Prinzipal |
16'
|
| Subbass |
16'
|
| Octave |
8'
|
| Gedeckt |
8'
|
| Violon |
8'
|
| Octave |
4'
|
| Choralflöte |
2'
|
| Hintersatz V |
2 2/3'
|
| Contra-Bombarde |
32'
|
| Bombarde |
16'
|
| Posaune |
16'
|
| Trompette |
8'
|
| Clairon |
4'
|
|
Dreifaltigkeitsorgel
Bearbeiten
| Memmingen/Bausteolle1
|
|
|
| Allgemeines
|
| Alternativer Name
|
Dreifaltigkeitsorgel
|
| Ort
|
Chorraum
|
| Orgelerbauer
|
Karl Joseph Riepp
|
| Baujahr
|
1766
|
| Letzte(r) Umbau/Restaurierung
|
1921–1922
|
| Epoche
|
Barock
|
| Orgellandschaft
|
Oberschwaben
|
| Abbildungen
|
[[Datei: |250x250px|center|]]
|
| Technische Daten
|
| Anzahl der Register
|
47
|
| Anzahl der Pfeifenreihen
|
66 ?
|
| Anzahl der Manuale
|
4
|
| Windlade
|
mechanische Schleifladen
|
| Tontraktur
|
mechanisch
|
| Registertraktur
|
mechanisch
|
Die Dreifaltigkeitsorgel ist an der Westseite des Mönchschores teilweise im Chorgestühl, teilweise in der Chorempore untergebracht.
Disposition:
HAUPTWERK (2.Man., C-d):
Copel 16'
Principal 8'
Flauta 8'
Copel 8'
Salicet 8'
Gamba 8'
Prestant 4'
Flet 4'
Terz 3'
Quint 3'
Waldflet 2'
Terz 1 1/2'
Cornet 5f.
Mixtur 4f.
Cimbal 4-6f.
Trompet 8'
Clairon 4'
POSITIV (1.Man., C-d, mit Ausnahme von Octav und Flet Baß/Diskantteilung C-fis bzw. g-d): Principal 16', Flauta 8', Copel 8', Octav 4', Flet 4', Gamba 4', Nazard 3', Quart 2', Terz 1 1/2', Quint 1 1/2', Fourniture 5-6f., Trompet 8', Cromorne 8', Vox humana 8', Clairon 4' RECIT (3.Man., C-d): Cornet de récit 5f. ECHO (4.Man., C-d; Baß/Diskantteilung C-e bzw f-d): Copel 8', Flet 4', Quint 3', Quart 2', Terz 1 1/2', Hoboi 8' PEDAL (C-c'): Principal 16', Copel 16', Octav 8', Gamba 8', Quint 6', Flet 4', Mixtur 3f. 2 1/3', Bombarde 16', Trompet 8', Trompet 4' BEMERKUNGEN: Schleiflade, mechanische Spiel- und Registertraktur, mehrteiliger Rokokoprospekt, auf Chorgestühl gesetzt
Heilig Geist - Orgel
Bearbeiten
|250x250px|center|]]