Ausweichung
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![\version "2.14.2"
\header {
tagline = ##f
}
upper = \relative c'' {
\override Score.TimeSignature.stencil=##f
\clef treble
\key c \major
\time 4/4
\tempo 4 = 80
<< { \mark "e)" c4 c4. bes16[ a bes8 bes] a4 d4. c16[ b! c8 c] b4} \\ {c,4 r e2^"F-Dur" f4 r fis2^"G-Dur" g4 \bar "||"} >>
}
\score {
\new Staff = "upper" \upper
\layout {
\context {
\Score
\remove "Metronome_mark_engraver"
\remove "Bar_number_engraver"
}
}
\midi { }
}](http://upload.wikimedia.org/score/o/x/ox4af2t8wbovf9pchoec4mqypehqsay/ox4af2t8.png)
Cadentia duriuscula
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Choral aus BWV 115
Bearbeiten![\version "2.14.2"
\header {
tagline = ##f
}
upper = \relative c'' {
\clef treble
\key g \major
\time 4/4
\tempo 2 = 48
%\autoBeamOff
<<
{
\voiceOne \repeat volta 2 {
b4 c d d | g, a b2^\fermata | e4 fis g b, | a2 g^\fermata } \break
d'4^"G-Dur" a b2\fermata | e4.^"A-Dur" d8 cis2\fermata |
d4 a b8 cis d4 | \break d( cis) d2\fermata |
e4 fis g b, | a2 g\fermata \bar "|."
}
\new Voice {
\voiceTwo \repeat volta 2 {
g4 g a8 g fis4 | g g8 fis g2 | g4 a g8 fis g4 | g( fis) d2 }
a'8 g fis[ a] g2 | e4 e e2 | a4 a a8 g fis4 | e2 fis |
a4 a g g | g( fis) d2 \bar "|."
}
>>
}
lower = \relative c' {
\clef bass
\key g \major
\time 4/4
<<
{
\voiceOne
\repeat volta 2 {
d4 e a, b | b e8 d d2 | c4 c d d e( d8 c) b2 }
d4 d d2 | b8 a gis![ b] a2 | d8 e fis4 fis8 e d[ cis] | b4( a) a2 |
c!4 d d d | e8[( d16 c d8 a)] b2 \bar "|."
}
\new Voice {
\voiceTwo \repeat volta 2 {
g8 fis e[ g] fis e d[ fis] | e d c[ d] g,2\fermata |
c8 b a[ c] b a g[ b] c( a d4) g,2\fermata }
fis'8 e d[ fis] g2\fermata | gis8 fis e[ gis] a2\fermata |
fis8 e d[ fis] g! a b[ a] | g( e a4) d,2\fermata |
a8 b c![ a] b c d[ b] | c8( a d4) g,2\fermata \bar "|."
}
>>
}
\score {
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\layout {
\context {
\Score
\remove "Metronome_mark_engraver"
}
}
\midi { }
}](http://upload.wikimedia.org/score/h/2/h2hdyyevxuqcaa3kq48bcopo9a0knir/h2hdyyev.png)
Monte etc.
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Wolfgang Amadeus Mozart: Streichquartett in C-Dur, KV 157, 1. Satz, T. 35–36:
![\version "2.14.2"
\header {
tagline = ##f
}
\score {
<<
\new Staff <<
<<
\set Score.tempoHideNote = ##t
\set Score.currentBarNumber = #35
\override Score.TimeSignature.stencil=##f
\time 4/4
\tempo 4 = 110
\relative c'' { d'2 c~ c b } >>
\new Staff <<
\relative c'' { b4 e2 a,4~ a d2 g,4~ } >>
\new Staff <<
\clef "alto"
\relative c' { gis'4( b) c8( b a g) fis4( a) b8( a g fis) } >>
\new Staff <<
\clef "bass"
\relative c { e8^. e^. r gis16( e) a8( g fis e) d^. d^. r fis16[( d)] g8( fis e d) } >>
>>
>>
\layout {
\context {
\Score
\remove "Metronome_mark_engraver"
\remove "Time_signature_engraver"
}
}
\midi {}
}](http://upload.wikimedia.org/score/a/1/a1azzjx4hfvyaurdt2scrgoxx4d4dxk/a1azzjx4.png)
Motivo di cadenza
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![\version "2.14.2"
\header {
tagline = ##f
}
upper = \relative c'' {
\set Score.currentBarNumber = #46
\clef treble
\key es \major
\time 2/2
\tempo 4 = 120
<<
{ \partial 2 f2~ | f es8[ d es f] | d4 g2 f4 | e c f2~ | f es!~ | es d8[ c d es] | c4 f2 es4 | d bes es2~ | es des!~ | }
\\
{ s2 | b4 g c2~ | c bes~ | bes as8[ g as bes] | g4 c2 bes4 | a4 f bes2~ | bes as!~ | as g8[ f g as] | f4 bes2 as4 }
>>
}
lower = \relative c' {
\override Score.TimeSignature.stencil=##f
\clef bass
\key es \major
\time 2/2
\tempo 4 = 120
{ s2 | g1~ | g8[ f g as] g[ f e d] | c1~ | c8[ bes c d] c[ bes a g] | f1~ | f8[ es' f g] f[ es d c] | bes1~ | bes8[ as' bes c] bes[ as g f] }
}
\paper { indent = 0 }
\score {
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\layout {
\context {
\Score
\remove "Metronome_mark_engraver"
}
}
\midi { }
}](http://upload.wikimedia.org/score/r/w/rw85q5cv6l556zxkaya1xb9r3v9cet4/rw85q5cv.png)
Quintanstiegssequenz
Bearbeiten![\new Staff {
\override Score.TimeSignature.stencil=##f
\override Score.BarLine.stencil=##f
\clef bass
\time 6/2
{ \[ \tweak NoteHead.color #blue \tweak Stem.color #blue c2^"Versetzungsintervall" g \tweak NoteHead.color #blue \tweak Stem.color #blue d\] a e b }
}](http://upload.wikimedia.org/score/o/g/ogj9an7cz2x411da842cwv5emm6rm9b/ogj9an7c.png)
Tonikalisierung
BearbeitenBach Italienisches Konzert nach Schenker
Bearbeiten![\version "2.14.2"
\header {
tagline = ##f
}
upper = \relative c' {
\override Score.TimeSignature.stencil=##f
\key f \major
\time 2/4
\tempo 4 = 72
<<
{
\voiceOne
f'4 s8 c d16 c d8~ d16 f \tweak NoteHead.color #red \tweak Stem.color #red \tweak Accidental.color #red es d c e! f8~ f16 e d c bes a bes d g8 bes, bes \prall ( a) b8\rest s8
}
\new Voice {
\voiceTwo
< f a c >4 b8\rest
}
>>
}
lower = \relative c' {
\clef bass
\key f \major
\time 2/4
<<
{
\voiceOne
\autoBeamOff f,,8 \clef treble \autoBeamOn a''-.[ a-. a-.] bes[ bes bes^\markup { \center-column {(gleichsam B-dur)}} bes] bes[ bes a a] g[ g g g] g( f) b8\rest f
}
\new Voice {
\voiceTwo
s8 f[ f f] f[ f f f] f[ f f f] f[ f e e] f f,16 g a8 f \mark \markup { u. s. w. }
}
>>
}
\score {
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
\layout {
\override Staff.TimeSignature.transparent =##t
\context {
\Score
\remove "Metronome_mark_engraver"
\remove "Mark_engraver"
\remove "Staff_collecting_engraver"
}
\context {
\Staff
\consists "Mark_engraver"
\consists "Staff_collecting_engraver"
}
}
\midi { }
}](http://upload.wikimedia.org/score/l/l/lldtsmsa355oqwq868b25tuuo8ijaqs/lldtsmsa.png)
Schubert 8. Sinfonie
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Händel Messias
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BWV 548
Bearbeiten![\version "2.14.2"
\header {
tagline = ##f
}
upper = \relative c'' {
\override Score.TimeSignature.stencil=##f
\clef treble
\key e \minor
\time 3/4
\tempo 4 = 85
\set Score.currentBarNumber = #7
<< { e8 dis~ dis16 c' b ais b fis a8~ | a \tweak NoteHead.color #red \tweak Stem.color #red \tweak Accidental.color #red gis gis2 | a4 r16 b a gis a e g8~ | g fis fis2 | g4 r16 a g fis g d f8~ | f e a4. g8 | g fis b4. a8 | a[ g] } \\
{ fis,8 r r4 r | r r16 f' e dis e b d8~ | d \tweak NoteHead.color #green \tweak Stem.color #green \tweak Accidental.color #green cis cis2 | d4 r16 e d cis d a c8~ | c b b2 | c4 r16 cis b d cis8 <cis e> | <a d>4 r16 dis cis e dis8 <dis fis> | <b e>4 } >>
}
middle = \relative c' {
\override Score.TimeSignature.stencil=##f
\clef bass
\key e \minor
\time 3/4
\tempo 4 = 85
{ \clef violin b16 b' a g fis e dis cis \clef bass b a g fis | e e' d! c! b a gis fis! e d cis b |
a a'' g! fis e d cis b a g fis e | d d' c! b a g fis e d c! b a | g g'' fis e d c b a g f e d |
c4 r8 \clef violin e'[ a a,] | d4 r8 fis[ b b,] | e4 }
}
lower = \relative c {
\override Score.TimeSignature.stencil=##f
\clef bass
\key e \minor
\time 3/4
\tempo 4 = 85
{ b4 b' r \tweak NoteHead.color #red \tweak Stem.color #red \tweak Accidental.color #red e,, e' r \tweak NoteHead.color #green \tweak Stem.color #green \tweak Accidental.color #green a, a' r d,, d' r g, g' r r16 e d e cis e d e a,8 r r16 fis' e fis dis fis e fis b,8 r r16 g' fis g }
}
\addlyrics { \once \override LyricText.self-alignment-X = #1 "e-Moll: V/I" _ V/IV _ V/VII _ VII _ }
\paper { indent = 0 }
\score {
\new PianoStaff <<
\new Staff = "upper" \upper
\new Staff = "middle" \middle
\new Staff = "lower" \lower
>>
\layout {
\context {
\Score
\remove "Metronome_mark_engraver"
}
}
\midi { }
}](http://upload.wikimedia.org/score/6/6/66ejomxy02p3qmp1xmr6xxj0p4e40x7/66ejomxy.png)
Passus duriusculus
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