Monatlich aktualisierter TOP 200 von Seiten in der Kategorie Musiktheorie (dank Krdbot):
Name |
Back -links |
Rang 2024 -02 |
∅ Zugriffe pro Tag 2024 -02 |
Rang 2024 -03 |
∅ Zugriffe pro Tag 2024 -03 |
Anmerkungen / Bearbeiter | ||
---|---|---|---|---|---|---|---|---|
James Last | 444 | 20 | 233 | 1 | 826 | +19 | ||
Gustav Mahler | 1746 | 3 | 597 | 2 | 639 | +1 | ||
Quintenzirkel | 118 | 4 | 571 | 3 | 526 | +1 | ||
Theodor W. Adorno | 1278 | 5 | 527 | 4 | 520 | +1 | ||
Glenn Miller | 509 | 23 | 225 | 5 | 508 | +18 | ||
Quincy Jones | 800 | 1 | 1118 | 6 | 476 | -5 | ||
Stabat mater | 153 | 42 | 160 | 7 | 433 | +35 | ||
Jacob Collier | 61 | 32 | 182 | 8 | 426 | +24 | ||
Augustinus von Hippo | 1882 | 8 | 378 | 9 | 368 | -1 | ||
Pythagoras | 374 | 7 | 428 | 10 | 353 | -3 | ||
Vergleichszeichen | 102 | 10 | 368 | 11 | 338 | -1 | ||
Leonhard Euler | 745 | 14 | 310 | 12 | 335 | +2 | ||
Liste musikalischer Symbole | 1 | 11 | 347 | 13 | 328 | -2 | ||
Schlager | 2313 | 13 | 311 | 14 | 303 | -1 | ||
Bert Kaempfert | 215 | 62 | 120 | 15 | 291 | +47 | ||
Tempo (Musik) | 683 | 15 | 278 | 16 | 277 | -1 | ||
Arnold Schönberg | 1525 | 9 | 375 | 17 | 262 | -8 | ||
Notenschlüssel | 97 | 17 | 250 | 18 | 251 | -1 | ||
Oper | 5000 | 16 | 251 | 19 | 233 | -3 | ||
Musik der Romantik | 513 | 19 | 239 | 20 | 227 | -1 | ||
Stimmlage | 713 | 18 | 244 | 21 | 227 | -3 | ||
Moshpit | 35 | 33 | 181 | 22 | 225 | +11 | ||
Requiem | 702 | 37 | 173 | 23 | 208 | +14 | ||
Burlesque | 146 | 22 | 226 | 24 | 206 | -2 | ||
Flamenco | 685 | 24 | 212 | 25 | 205 | -1 | ||
Tonleiter | 362 | 29 | 192 | 26 | 199 | +3 | ||
Kakophonie | 77 | 65 | 117 | 27 | 185 | +38 | ||
Al Jarreau | 332 | 2 | 648 | 28 | 181 | -26 | ||
Kammerton | 126 | 25 | 210 | 29 | 181 | -4 | ||
Zwölftontechnik | 272 | 34 | 180 | 30 | 178 | +4 | ||
Ballett | 2595 | 26 | 209 | 31 | 176 | -5 | ||
Musical | 4990 | 31 | 190 | 32 | 176 | -1 | ||
Oratorium | 1811 | 96 | 89 | 33 | 175 | +63 | ||
Fuge (Musik) | 626 | 49 | 145 | 34 | 173 | +15 | ||
Intervall (Musik) | 449 | 28 | 194 | 35 | 172 | -7 | ||
Sinfonie | 1291 | 40 | 162 | 36 | 162 | +4 | ||
Frequenzen der gleichstufigen Stimmung | 14 | 43 | 155 | 37 | 161 | +6 | ||
Claudius Ptolemäus | 1016 | 27 | 206 | 38 | 161 | -11 | ||
Kastrat | 385 | 30 | 192 | 39 | 160 | -9 | ||
Falsett | 340 | 35 | 177 | 40 | 156 | -5 | ||
Line Dance | 52 | 46 | 147 | 41 | 155 | +5 | ||
Notation (Musik) | 360 | 36 | 173 | 42 | 153 | -6 | ||
Pentatonik | 267 | 41 | 161 | 43 | 151 | -2 | ||
Ballade | 1015 | 45 | 148 | 44 | 142 | +1 | ||
Eratosthenes | 195 | 39 | 163 | 45 | 142 | -6 | ||
Tenor | 2549 | 48 | 145 | 46 | 140 | +2 | ||
Tango (Standardtanz) | 153 | 71 | 110 | 47 | 138 | +24 | ||
Countertenor | 319 | 44 | 153 | 48 | 134 | -4 | ||
Jim Beard | 35 | 0 | 0 | 49 | 134 | |||
Oktave | 733 | 51 | 138 | 50 | 133 | +1 | ||
Max Reger | 992 | 81 | 101 | 51 | 131 | +30 | ||
Euklid | 435 | 50 | 138 | 52 | 131 | -2 | ||
Tutti | 196 | 82 | 100 | 53 | 130 | +29 | ||
Gregorianischer Choral | 662 | 64 | 119 | 54 | 129 | +10 | ||
Notenwert | 254 | 47 | 147 | 55 | 127 | -8 | ||
Verzierung (Musik) | 237 | 54 | 131 | 56 | 124 | -2 | ||
Bariton | 1653 | 55 | 131 | 57 | 123 | -2 | ||
Pogo | 56 | 57 | 127 | 58 | 120 | -1 | ||
Note (Musik) | 208 | 58 | 126 | 59 | 120 | -1 | ||
Synkope (Musik) | 461 | 86 | 99 | 60 | 119 | +26 | ||
Kontrapunkt | 1255 | 63 | 119 | 61 | 117 | +2 | ||
Kadenz (Harmonielehre) | 324 | 38 | 171 | 62 | 115 | -24 | ||
Generalbass | 772 | 76 | 108 | 63 | 114 | +13 | ||
MIDI | 285 | 66 | 116 | 64 | 112 | +2 | ||
Twerking | 16 | 74 | 109 | 65 | 112 | +9 | ||
Sopran | 4063 | 52 | 136 | 66 | 110 | -14 | ||
Kirchentonart | 241 | 69 | 112 | 67 | 109 | +2 | ||
Nationalhymne | 1159 | 68 | 113 | 68 | 108 | |||
Vorzeichen (Musik) | 84 | 78 | 104 | 69 | 107 | +9 | ||
Bill Ramsay | 11 | 0 | 0 | 70 | 107 | |||
Paso Doble | 105 | 185 | 47 | 71 | 107 | +114 | ||
Lindy Hop | 51 | 104 | 83 | 72 | 106 | +32 | ||
Akkord | 646 | 73 | 110 | 73 | 106 | |||
Moll | 432 | 56 | 128 | 74 | 105 | -18 | ||
Stimmen einer Gitarre | 10 | 85 | 99 | 75 | 104 | +10 | ||
Takt (Musik) | 804 | 75 | 109 | 76 | 101 | -1 | ||
Vaudeville | 1174 | 70 | 110 | 77 | 100 | -7 | ||
Passion (Musik) | 189 | 353 | 20 | 78 | 99 | +275 | ||
Cancan | 67 | 72 | 110 | 79 | 97 | -7 | ||
Cha-Cha-Cha | 140 | 110 | 78 | 80 | 97 | +30 | ||
Chanson | 1379 | 88 | 98 | 81 | 96 | +7 | ||
Rosalía (Sängerin) | 89 | 90 | 95 | 82 | 95 | +8 | ||
Operette | 2206 | 60 | 122 | 83 | 94 | -23 | ||
Mezzosopran | 1719 | 59 | 125 | 84 | 94 | -25 | ||
Terz (Musik) | 454 | 84 | 99 | 85 | 92 | -1 | ||
Ernst Mosch | 86 | 116 | 73 | 86 | 92 | +30 | ||
Programmmusik | 170 | 103 | 84 | 87 | 92 | +16 | ||
Paco de Lucía | 153 | 95 | 89 | 88 | 88 | +7 | ||
Te Deum | 452 | 108 | 80 | 89 | 87 | +19 | ||
Diatonik | 289 | 87 | 98 | 90 | 87 | -3 | ||
Anderssprachige Tonbezeichnungen | 29 | 101 | 85 | 91 | 86 | +10 | ||
Filmmusik | 2263 | 79 | 102 | 92 | 86 | -13 | ||
Sonatensatzform | 386 | 93 | 91 | 93 | 86 | |||
Macarena (Lied) | 52 | 77 | 104 | 94 | 85 | -17 | ||
Charleston (Tanz) | 128 | 114 | 75 | 95 | 83 | +19 | ||
Register (Orgel) | 5000 | 117 | 73 | 96 | 83 | +21 | ||
Tonart | 431 | 100 | 86 | 97 | 82 | +3 | ||
Beats per minute | 773 | 107 | 81 | 98 | 82 | +9 | ||
Coverversion | 4760 | 105 | 83 | 99 | 80 | +6 | ||
Jive | 120 | 221 | 39 | 100 | 80 | +121 | ||
Rhapsodie | 118 | 67 | 115 | 101 | 80 | -34 | ||
Oberton | 301 | 92 | 92 | 102 | 79 | -10 | ||
Suite (Musik) | 559 | 99 | 86 | 103 | 79 | -4 | ||
Songwriting | 2452 | 98 | 86 | 104 | 78 | -6 | ||
Metronom | 154 | 97 | 88 | 105 | 78 | -8 | ||
Max Steiner | 322 | 121 | 72 | 106 | 77 | +15 | ||
Polka | 482 | 91 | 93 | 107 | 76 | -16 | ||
Rumba | 208 | 159 | 57 | 108 | 74 | +51 | ||
Madrigal (Musik) | 500 | 156 | 58 | 109 | 73 | +47 | ||
Arie | 615 | 126 | 70 | 110 | 72 | +16 | ||
Alt (Stimmlage) | 1493 | 118 | 72 | 111 | 72 | +7 | ||
Wiener Walzer | 152 | 102 | 84 | 112 | 72 | -10 | ||
Kammermusik | 2456 | 137 | 65 | 113 | 71 | +24 | ||
Langsamer Walzer | 101 | 141 | 63 | 114 | 71 | +27 | ||
Notensystem (Musik) | 92 | 169 | 54 | 115 | 70 | +54 | ||
Kunstlied | 346 | 144 | 62 | 116 | 68 | +28 | ||
Akkordsymbol | 73 | 113 | 75 | 117 | 68 | -4 | ||
Michael Flatley | 40 | 166 | 55 | 118 | 68 | +48 | ||
C-Dur | 332 | 124 | 70 | 119 | 68 | +5 | ||
Sirtaki | 26 | 120 | 72 | 120 | 67 | |||
Partitur | 697 | 134 | 66 | 121 | 67 | +13 | ||
Shanty | 146 | 158 | 58 | 122 | 67 | +36 | ||
Motette | 1163 | 146 | 60 | 123 | 67 | +23 | ||
Septakkord | 113 | 115 | 73 | 124 | 66 | -9 | ||
Sonate | 445 | 125 | 70 | 125 | 66 | |||
Quinte | 487 | 135 | 65 | 126 | 65 | +9 | ||
E- und U-Musik | 89 | 167 | 55 | 127 | 65 | +40 | ||
Modale Tonleitern | 104 | 122 | 71 | 128 | 65 | -6 | ||
Tritonus | 175 | 129 | 69 | 129 | 63 | |||
Bluestonleiter | 22 | 119 | 72 | 130 | 63 | -11 | ||
Paralleltonart | 130 | 153 | 58 | 131 | 63 | +22 | ||
Adagio (Musik) | 78 | 128 | 69 | 132 | 62 | -4 | ||
Foxtrott | 177 | 138 | 64 | 133 | 61 | +5 | ||
West Coast Swing | 26 | 112 | 76 | 134 | 61 | -22 | ||
Allegro (Musik) | 101 | 106 | 81 | 135 | 61 | -29 | ||
Passacaglia | 124 | 147 | 60 | 136 | 60 | +11 | ||
Nō | 293 | 216 | 40 | 137 | 60 | +79 | ||
Dur | 407 | 131 | 67 | 138 | 59 | -7 | ||
Ententanz | 34 | 61 | 121 | 139 | 59 | -78 | ||
Stepptanz | 310 | 80 | 102 | 140 | 59 | -60 | ||
Lalo Schifrin | 279 | 288 | 28 | 141 | 59 | +147 | ||
Rhythmus (Musik) | 886 | 151 | 59 | 142 | 58 | +9 | ||
Polonaise (Tanz) | 118 | 53 | 132 | 143 | 58 | -90 | ||
Shen Yun Performing Arts | 6 | 83 | 100 | 144 | 58 | -61 | ||
Athanasius Kircher | 226 | 145 | 60 | 145 | 58 | |||
Christiaan Huygens | 260 | 139 | 64 | 146 | 58 | -7 | ||
Solmisation | 114 | 140 | 63 | 147 | 57 | -7 | ||
Rondo (Musik) | 345 | 164 | 55 | 148 | 57 | +16 | ||
Bass (Stimmlage) | 2330 | 143 | 62 | 149 | 57 | -6 | ||
Menuett | 242 | 152 | 58 | 150 | 57 | +2 | ||
Volkslied | 1192 | 142 | 62 | 151 | 57 | -9 | ||
Panzerlied | 6 | 132 | 67 | 152 | 56 | -20 | ||
Samba (Tanz) | 134 | 111 | 77 | 153 | 56 | -42 | ||
Jean-Philippe Rameau | 465 | 163 | 56 | 154 | 55 | +9 | ||
Hymne | 949 | 150 | 59 | 155 | 54 | -5 | ||
D-Moll | 207 | 148 | 59 | 156 | 54 | -8 | ||
Evergreen | 362 | 157 | 58 | 157 | 54 | |||
D-Dur | 237 | 165 | 55 | 158 | 53 | +7 | ||
Boethius | 312 | 136 | 65 | 159 | 53 | -23 | ||
Kantate | 1335 | 184 | 48 | 160 | 53 | +24 | ||
Nocturne (Musik) | 93 | 173 | 52 | 161 | 53 | +12 | ||
Stufentheorie (Harmonik) | 60 | 162 | 56 | 162 | 53 | |||
Shepard-Skala | 14 | 109 | 79 | 163 | 52 | -54 | ||
Tonhöhe | 289 | 201 | 43 | 164 | 52 | +37 | ||
Tarantella | 72 | 181 | 48 | 165 | 51 | +16 | ||
Tonartencharakter | 36 | 155 | 58 | 166 | 51 | -11 | ||
Chromatik | 629 | 174 | 52 | 167 | 51 | +7 | ||
Air (Musik) | 92 | 172 | 53 | 168 | 51 | +4 | ||
Ouvertüre | 566 | 183 | 48 | 169 | 51 | +14 | ||
Martin Böttcher | 216 | 261 | 31 | 170 | 49 | +91 | ||
B-A-C-H | 63 | 459 | 12 | 171 | 49 | +288 | ||
Anton Webern | 416 | 160 | 57 | 172 | 49 | -12 | ||
Lord of the Dance | 36 | 271 | 30 | 173 | 49 | +98 | ||
Atonale Musik | 196 | 192 | 46 | 174 | 49 | +18 | ||
Dreiklang | 199 | 186 | 47 | 175 | 49 | +11 | ||
Lied | 2058 | 170 | 54 | 176 | 49 | -6 | ||
Liste von Orgelregistern | 114 | 94 | 90 | 177 | 49 | -83 | ||
Riff (Musik) | 1703 | 208 | 42 | 178 | 48 | +30 | ||
Blue Note | 98 | 176 | 50 | 179 | 48 | -3 | ||
Dorischer Modus | 123 | 197 | 44 | 180 | 48 | +17 | ||
Wohltemperierte Stimmung | 131 | 175 | 51 | 181 | 48 | -6 | ||
B (Notenschrift) | 48 | 127 | 70 | 182 | 47 | -55 | ||
Pierre Boulez | 894 | 258 | 31 | 183 | 47 | +75 | ||
Polyphonie | 663 | 213 | 41 | 184 | 47 | +29 | ||
Rezitativ | 563 | 199 | 44 | 185 | 46 | +14 | ||
Syntagma musicum | 138 | 187 | 47 | 186 | 46 | +1 | ||
Groteske | 490 | 190 | 47 | 187 | 46 | +3 | ||
Opera buffa | 400 | 130 | 67 | 188 | 46 | -58 | ||
Jerskin Fendrix | 13 | 202 | 43 | 189 | 45 | +13 | ||
Kanon (Musik) | 346 | 179 | 49 | 190 | 45 | -11 | ||
Versetzungszeichen | 42 | 180 | 48 | 191 | 45 | -11 | ||
Coda (Musik) | 468 | 178 | 50 | 192 | 44 | -14 | ||
Verismo | 132 | 193 | 46 | 193 | 44 | |||
Eumir Deodato | 105 | 212 | 41 | 194 | 43 | +18 | ||
Quickstepp | 41 | 309 | 25 | 195 | 43 | +114 | ||
Pepe Lienhard | 189 | 226 | 37 | 196 | 43 | +30 | ||
Bass (Instrument) | 2750 | 196 | 44 | 197 | 42 | -1 | ||
Gleichstufige Stimmung | 198 | 217 | 40 | 198 | 42 | +19 | ||
Transponierendes Instrument | 33 | 177 | 50 | 199 | 42 | -22 | ||
Passionsspiel | 216 | 530 | 9 | 200 | 42 | +330 |